One of Truffaut's aims in Two
English Girls is to underline the differences between English and
French cultures in terms of dealing with romantic and sexual subject matters.
The tone and the narrative strategy of the film shift when the characters move
from British land to French soil and vice versa. The sexual repression scenes
and the sexual liberation ones balance each other. Muriel’s' character (Stacey
Tendeter) reveals a certain capacity for traditionalism and morality while
Ann's character is more adventurous and a risk-taker. Ann may be less
innocent but more sage. Muriel's destiny is to suffer. She is the victim of the
social tradition that hovers over her romantic and sexual desires. Her loss of
virginity at the end of the film is poignant, frightening, and violent. If the
frame of reference for Muriel's love is 19th-century romanticism, Ann's love
represents a modern 20th-century passion for liberation and freedom. The
possibilities for the romantic encounters in the love triangle have
prompted Truffaut to consider his love affairs with Catherine
Deneuve & Françoise Dorléac as the self-reflexive source for the
narrative. Review By Morad Sadeghi
Tuesday, 10 February 2015
Les Deux Anglaises et Le Continent
Les Deux Anglaises et Le Continent(Two English Girls) (1971, François Truffaut)
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