Uzumasa Limelight appears to be regarded by
critics as a work of Japanese cinema that deals with a nostalgic
appreciation of an era in Japanese film history. At the same time, the
parallelism that exists between the world of reality and the world on stage is
clearly stated by the comparisons between the male protagonist's end of career
and his faked death. His career in the film industry is threatened by the
presence of the new generation that finally pays respect to him at the end of
the film. The joy the audience takes in analyzing the film is the joy of the
viewer who is discovering the cultural perspective of a homage to the jidaigeki genre
of film. The avoidance of sentimentalism is anticipated by preventing of using
many flashback scenes that define the tragic past of the male protagonist.
Finally, what characterizes the importance of the role of the female
protagonist in the film is her capability to control the narrative that is
still run by Japanese male-dominated society.
Review: By Morad Sadeghi
Thursday, 11 December 2014
Uzumasa Limelight
Uzumasa Limelight (2014, Ken Ochiai)
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